Bibliografía selecta sobre el cine latinoamericano

(Agosto, 2004)

Adelman, Alan, ed. A Guide to Cuban Cinema. Pittsburgh: Center for Latin American Studies, 1981.

Arredondo, Isabel. ‟From Transparent to Translucir: Cuban Filmmakers in 1990.” Latin American Literary Review 25.49 (1997): 25-41.

Barnard, Timothy. ‟After the Military: Film in the Southern Cone Today.” Review: Latin American Literature and Arts 46 (1992): 29-36.

Barnard, Timothy, ed. South American Cinema: A Critical Filmography, 1915-1994. Austin: U of Texas P, 1998.

Berg, Charles Ramírez. Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983. Austin: U of Texas P, 1992.

Berg, Charles Ramirez. ‟The Image of Women in Recent Mexican Cinema.” Studies in Latin American Popular Culture 8 (1989): 157-81.

Burns, E. Bradford. Latin American Cinema: Film and History. Los Angeles: UCLA Latin American Center, U of California, 1975.

Burton, Julianne. Cinema and Social Change in Latin America: Conversations with Filmmakers. Austin: U of Texas P, 1986.

—. The New Latin American Cinema: An Annotated Bibliography of Sources in English, Spanish, and Portuguese 1960-1980. Smyrna New York, 1983.

—. The Social Documentary in Latin America. Pittsburgh: U of Pittsburgh P, 1990.

Chanan, Michael. The Cuban Image: Cinema and Cultural Politics in Cuba. London: British Film Institute, 1985.

—. Twenty-Five Years of the New Latin American Cinema. London: British Film Institute, 1983.

Donelan, Carol. The Politics of Gender in the New Latin American Cinema. Dept. of Foreign Langs., West Virginia Univ. Morgantown, 1993.

Durán, Ignacio, Iván Trujillo y Mónica Verea, coord. México Estados Unidos: Encuentros y desencuentros en el cine. México: CISAN, DGAC-UNAM & IMECINE, 1996.

Foster, David William. Contemporary Argentine Cinema. Colombia: U of Missouri P, 1992.

—. Gender and Society in Contemporary Brazilian Cinema. Austin : U of Texas P, 1999.

García Canclini, Néstor. El cine mexicano y sus públicos. México: Instituto Mexicano de Cinematografía, 1995.

Gutiérrez Alea, Tomás. Memories of Underdevelopment. New Brunswick, NJ: Rutgers UP, 1990.

—. The Viewer’s Dialectic. Havana: José Martí, 1988.

Hershfield, Joanne and David R. Maciel. Mexico’s Cinema: A Century of Film and Filmakers. Wilmington, Del.: SR Books, 1999.

Johnson, Randal & Robert Stam. Brazilian Cinema. East Brunswick, N.J.: Associated UP, 1982.

King, John. Magical Reels: A History of Cinema in Latin America. London & New York; Verso, 1990.

King, John, Ana M. López and Manuel Alvarado. Mediating Two Worlds: Cinematic Encounters in the Americas. London: British Film Institute, 1993.

Kovacs, Steven. ‟Visions of the Metropolis: São Paulo and the Cinema.” Review: Latin American Literature and Arts 28 (1981): 56-59.

Lega-Hurtado, Margarita de la. ‟Latin American Women Directors.” Review: Latin American Literature and Arts 46 (1992): 20-25.

López, Ana M. “An ‘Other’ History: The Latin American Cinema.” Resisting Images: Essays on Cinema and History. Ed. Robert Sklar and Charles Musser. Philadelphia: Temple UP, 1990: 308-30.

—.        “The ‘Other’ Island: Cuban Cinema in Exile.” Jump Cut 38 (1993): 51-59.

Mahieu, Jose A. ‟Diálogo cultural entre España e Iberoamerica.” Cuadernos Hispanoamericanos 390 (1982): 667-76.

Martin, Michael T. New Latin American Cinema. Vol I & II. Detroit: Wayne State UP, 1997.

Moesca, Jacqueline. El cine en Chile: crónica en tres tiempos. Santiago: Planeta, Universidad Nacional Andrés Bello, 1977.

Mora, Carl J. Mexican Cinema: Reflections of a Society 1896-1980. Berkeley: U of CA P, 1982.

Mosier, John. ‟The Importance of Popular Cinema in Latin America.” Studies in Latin American Popular Culture 1 (1982): 179-86.

Mraz, John. ‟What's Popular in the New Latin American Cinema?‟ Studies in Latin American Popular Culture 7 (1988): 321-29.

Noriega, Chon, ed. Chicanos and Film: Representation and Resistance. Minneapolis: U of Minnesota P, 1992.

—. Shot in America: Television, the State, and the Rise of Chicano Cinema. Minneapolis: U of Minnesota P, 2000.

—. Visible Nations: Latin American Cinema and Video. Minneapolis: U of Minnesota P, 2000.

—. The Ethnic Eye: Latino Media Arts. Ed. Chon A. Noriega and Ana M. Lopez. Minneapolis: U of Minnesota. 3 -21.

Orellana, Margarita de. La mirada circular: El cine de la Revolución mexicana. México: Joaquín Mortiz, 1991.

Paranaguá, Paulo Antonio. “Letter from Cuba to an Unfaithful Europe: The Political Position of the Cuban Cinema.” Framework 38/39 (1992): 5-26.

—. “Pioneers: Women Film-makers in Latin America.” Framework 37 (1989):129-37.

Paranaguá, Paulo Antonio, ed. Mexican Cinema. London: BFI and IMCINE, 1995.

Pick, Zuzana M. The New Latin American Cinema: a Continental Project. Austin: U of Texas P, 1993.

Ranucci, Karen and Julie Delman. A Guide to Latin American Caribbean and U.S. Latino Made Film and Video. Lanham, MD: Scarecrow P, 1998.

Reati, Fernando. ‟Argentine Political Violence and Artistic Representation in Films of the 80's.” Latin American Literary Review 17.34 (1989): 24-39.

Resnick, Susan. ‟Presencias: Latin American Filmmakers in the Feminine Plural.” Women & Performance: A Journal of Feminist Theory 2.1 3 (1984): 32-48.

Robin, Diana. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World. Ithaca: State U of New York P, 1998.

Rosen, David. “Crossover: Hispanic Specialty Films in the U.S. Movie Marketplace.” Chicanos and Film: Representation and Resistance. Minneapolis: U of Minnesota P, 1992. 241-60

Sánchez-H, José. The Art of Politics od Bolivian Cinema. Lanham, MD: Scarecrow P, 1999.

Sandoval-Sanchez, Alberto. Jose, Can You See? Latinos on and Off Broadway. U of Wisconsin P Madison, WI, 1999.

Sanjinés, Jorge and the Ukamau Group. Theory & Practice of a Cinema with the People. Willimantic, CT: Curbstone P, 1979.; 1989.

Schwartz, Ronald. Latin American Films, 1932-1994. Jefferson, NC: McFarland, 1997.

Stam, Robert. Subversion Pleasures: Baktin, Cultural Criticism, and Film. Baltimore: John Hopkins UP, 1989.

Stevens, Donald F. Ed. Based on a True Story : Latin American History at the Movies. Wilmington, Del.: SR Books, 1997.

Stock, Ann Marie. Framing Latin American Cinema: Contemporary Critical Perspectives. Minneapolis: U of Minnesota P, 1997.

Zavalo, Lauro. Permanencia voluntaria: el cine y su espectador. México: Universidad Veracruzana, 2000.