El cine latinoamericano
Homework
Noviembre /6Sobre Bolivia
5. Los diálogos representan un desafío a la audiencia por ser difíciles de entender y de percibir (aún para los hispanohablantes nativos). ¿Cuál representa el propósito de esto?
6. Los actores carecen de grandes habilidades histriónicas y se presentan como seres comunes o personas normales. ¿Cómo contribuye esto a la presentación del mensaje que se trata de dar?
7. Compare estas técnicas (de las dos últimas preguntas) a las de Rodrigo D: No futuro
Chapter 9: Writing
Review questions on pages 425-26.
Answer two of the following questions:
1. High-minded speeches often ring hollow when repeated by actors on screen. What are the most important considerations of a screenwriter interested in conveying abstract ideas and ideals on film?
2. Allowing for a certain literary flexibility, explain some of the qualities that might be taken into account when judging the qualities of a screenplay.
3. Discuss the varieties of figurative language as they appear in film, and explain the advantages and disadvantages of each.
4. What is point of view in writing? How are points of view characterized in screenwriting, and which narrative voices are most effective on film?
5. What are the basic problems and possibilities in adapting literary sources to film? How are adaptations categorized? What is the most important consideration of the screenwriter in writing an adaptation?