Chapter 3: Movement

Chapter 3: Movement

Review questions on pages 138-39.

 1. How might the psychological differences between lateral movements and depth
 movements by characters on screen become part of the content of the film?
 What are other ways in which movement in film exemplifies the inextricable
 link between form and content?

2. Discuss the general distinctions between realistic and formalistic kinetics
in cinema. How are realistic and highly stylized movements associated with various
types of films?